S T E P H A N I E   A C O S T A

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Experimental research

towards experiential goals.

 

 

 

 

 

stephanieacostatheartist@gmail.com

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Photo by Jessie Young (2021)

Stephanie Acosta is an interdisciplinary artist who places the materiality of the ephemeral at the center of her practice, questioning meaning-making and manufactured limitations.

Acosta blends performance with practice-based research, making work in response to, while also creating, site and space. Engaging ensembles in facilitated processes, she creates fleeting performance works that challenge site, space, and perception to bring about shared experiences.

Acosta has produced and presented works with and for Museum of Art and Design, Museum of Contemporary Art of Chicago, Knockdown Center, the Current Sessions, Miami Performance International Festival, Anatomy Collective, IN>Time Symposium, the Chicago Park District, the Performance Philosophy conference, High Concept Labs, Read/Write Library, No Media, and Radius. In her continued commitment to the experimental voices of New York and Chicago's performance art communities, Acosta has also collaborated with artists such as Miguel Gutierrez, Daviel Shy, Mark Jeffery and Judd Morrissey of ATOM-r, as well as performance artist Robin Deacon, sonic artist Jeff Kolar, and lead discourse at American Realness 2018. 

A Cuban American born and raised in Miami, Florida, and currently residing in Brooklyn, Acosta works extensively with unseen histories, performance, experimental radio, and film. Acosta continues an ongoing collaborations with Intrinsic Grey Productions including on experimental feature film The Ladies Almanack, which recently had its world premiere at Outfest LA and is currently screening at national and international film festivals. Currently, Acosta heads up the monthly performance series Sunday Service with co-creator Alexis Wilkinson. She can also be found working on a new publication with longtime collaborator Rory Murphy under the name NO ONE IS ANYWHERE, as well as on the upcoming premiere of her multi-platform performance Good Day God Damn at the Chocolate Factory Spring 2020 with artists Leslie Cuyjet, Miriam Gabriel, Jessie Young, Angie Pittman, and touring nationally and internationally  with This Bridge Called My Ass created alongside collaborator Miguel Gutierrez and featuring an all Latinx cast of performance misfits.  

Image Credits: Jessie Young (2021) Brooklyn, NY in the Artists Studio